Wednesday, November 30, 2011

SODOM & GOMORRAH

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Sodom & Gomorrah is an EP constructed similarly to my Interiors/Exteriors EP in that both consist of two long tracks, each S&G half being around 15 minutes of swirling drones, circling tribal drums, moaning guitars, etc. Semi-apocalyptic rambling movements that flow into one another and attempt to evoke images of the notorious biblical landscapes sprawling with sin-filled streets, such as scenes of violence, prostitution, or false idolatry. Each track represents one of the twin sin cities and loosely imagines the wanton depravity that is always associated with those landscapes, the consequent mass destruction of the cities by a jealous god, and the resulting aftermath of rebirth, new life and possibility in the wake of total societal collapse. Perhaps I am not successful in evoking such imagery with my material but that's the concept in any case. I imagine that my vision of Sodom and Gomorrah, the places, are more so used as broad representations of the malleability of society taken en masse, herds with a collective subconscious that, in generalized terms, often daydream of or occasionally veer toward chaos, persuasion, reckless abandon and violence rather than stability and structure. Mass societal bodies tend to be over-generalized but there is a truth in the way that populations will often conform to the norms and conventions that develop for whatever reason, and conformity to these conventions can frequently be embraced without question, conventions no matter how outlandish will be conventions if accepted by the majority. But that isn't to say that societies are always full of blind followers that are easily manipulated. However, the way the concept relates to the wayward cultural breakdown of biblical Sodom and Gomorrah is part of what inspired this project.

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SODOM & GOMORRAH (EP)

Track List:

01. Sodom
02. Gomorrah

Wednesday, June 8, 2011

A CHRISTMAS GIFT FOR YOU

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A Christmas Gift For You From Randall & Garrett is an EP that my brother and I recorded during last Christmas season in order to give out as Christmas gifts to our family. We handed them out and received a glowing response from our grandmother (who spins the disc whenever we visit now). The EP consists half of ambient tracks and half of cover songs (mostly '50s and '60s ones), the latter of which feature mostly standard instrument arrangements of guitars, bass, drums, and keyboards as well as vocal duties evenly tackled by my brother and I. Although it was titled for and produced during the Christmas season, there is not a hint of any holiday spirit or reference in any of the tracks, it was intended to be a Christmas time gift and not a Christmas music album. I should have made this album available during the holidays but it seems I forgot or it was forgotten, I'm not too sure. I am basically making available now to anticipate the impending completion of our current album project, which will be an LP entirely of various covers (again most of them will be from between the '50s to the '70s. Although I am proud of this effort, the new LP will be an improvement with more songs and our interpretations of a myriad of older/classic songs with radical invention and departure.

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A CHRISTMAS GIFT FOR YOU FROM RANDALL & GARRETT

A Christmas Gift For You From Randall & Garrett track list:

01. Intro
02. In Spite of All the Danger (The Quarreymen)
03. Lonesome Town (Ricky Nelson)
04. Interlude
05. Spider and I (Brian Eno)
06. Ride Into the Sun (The Velvet Underground)
07. Outro

Monday, April 25, 2011

DREAMLIFE OF THE SLEEPLESS

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Dreamlife of the Sleepless is an LP with content aligned with the other albums I've been working on lately, in that these albums are less stylistically uniform and more varied with most of the tracks fairly different from one another. That said, it still sounds generally like the Neon Icon sound with slabs of drones, groans, bleeps and squeals chopped up, blending sputtering loops with percussion of varying types. And truthfully, a lot of the tracks are still very much based in the ambient, atmospheric realm but there are tracks such as the title song that are attempts at happy little instrumental jams. Expect a handful of similar minded albums currently in the works!

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DREAMLIFE OF THE SLEEPLESS (LP)

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Sunday, April 3, 2011

DAS RHEINGOLD

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Das Rheingold alludes to Richard Wagner's Der Ring des Nibelungen and the opening track is indeed a "cover" of the prelude to Wagner's Das Rheingold, the first section of the opera. The prelude's drone-like composition, perhaps one of the first drone compositions ever conceived, famously (and perhaps apocryphally) came to Wagner as he lay half asleep and was meant to evoke the flowing water of the river Rhine. The rest of the EP consists of less direct references to Wagner's opera but the tracks are also sort of inspired by that concept of drone music evoking bodies of water and flowing rivers. Most of the album was composed with a keyboard and is basically beat-less, as I was attempting to explore soundtrack-like atmospheres akin to '70s German bands like Popol Vuh. The prelude cover was recorded with my brother Garrett Leong on additional guitar who also performed the song with me at our most recent live show at Warbler Records in downtown Santa Barbara.

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DAS RHEINGOLD (EP)

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Monday, January 31, 2011

ARCANE DESIGNS

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Arcane Designs is the sister album to In a Valley of Gilded Shame. So it similarly explores ambient and drone almost exclusively, with the exception of opener "Mono Lake" which features a simple bongo rhythm. It's perhaps slightly denser than Valley with longer tracks and a cleaner, more austere approach. A very small, limited CD-R run of the LP has been made available if anyone is interested.

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ARCANE DESIGNS (LP)

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Monday, January 17, 2011

IN A VALLEY OF GILDED SHAME

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In a Valley of Gilded Shame is an LP I just completed that I basically made in preparation for the impending release of Arcane Designs, a rather ambitious LP that I finished about a month ago. They are essentially sister albums, this one being shorter, with a major focus on ambient and drone, styles that I've never been a stranger to but while my previous work tends to flip-flop between atmosphere and structure, these albums are almost pure ambient. In a Valley of Gilded Shame opens with a drone song trilogy of sorts that was recorded onto tape, while the rest of the tracks were recorded digitally. I sample and loop a great deal of myself playing and my own instruments for many of the tracks here, including the occasional drum or beat for the last few songs, sort of breaking the "pure" ambient nature of the rest of the LP. Stay tuned for the release of Arcane Designs as well. I also plan on making physical copies of both these albums available (with color artwork!).

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IN A VALLEY OF GILDED SHAME

In a Valley of Gilded Shame track list:

01. I Wish I Were Going Home/Orchids/Ceremonial Headdress
02. Soft Death
03. Impossibly Devoted
04. Midnight Paranoia 2
05. Evening Redness
06. Rolling Valleys
07. The Silver Palace of Invisible Girls
08. Shadow & Shade
09. Fading Day